Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. 

Chores is about families and the domestic work of settler women on the island of Newfoundland. A comedy and a tragedy in equal parts, Chores explores everyday life with all its pleasures and suffering.

The simple, indirect, and accessible language of Chores creates vivid, recurring images of food, household objects, body parts, and animals. The poems scrutinize the physical and social details of domestic labour and of the conditions in which women did, and continue to do, the work of sustaining life.  

Daisy’s job is to be as unobtrusive as possible. But when her father suddenly leaves and her mother breaks down, Daisy’s old life disappears, and she is set free in the rift created between her parents. Susie Taylor’s sharp, quick-witted prose carries Daisy through a family cataclysm, relationships with boys, and her increasingly confusing feelings towards girls, especially Wanda. A refreshingly perceptive and honest debut, Even Weirder Than Before explores the nature of family, friendships, and sexual awakenings—and introduces one of Newfoundland’s most exciting new writers.

The spirit of the interrobang, a punctuation mark merging the questioning and the exclamatory, informs Mary Dalton’s compelling investigations of home and identity in this, her sixth poetry collection—in extraordinary poems of aging; of despised plants once revered; of rites and sites of community abandoned. The “flared mouth” of Dalton’s acclaimed musicality gives voice to lost souls and a lost sense of the earth. The collection’s unique mix of bleakness and beauty is also reflected in various riddle and riddle-like series with their ambiguity, open-endedness, playfulness, and unexpected linguistic shifts. Interrobang movingly fuses notions of exploration —of glancing at things slant—with an emotional range that feels new and visionary. This is a steely, brilliant book from a major Canadian poet.

Invisible Prisons is an extraordinary, empathetic collaboration between the magnificent writer Lisa Moore, best-known for her award-winning fiction, and a man named Jack Whalen, who as a child was held for four years at a reform school for boys in St John’s, where he suffered jaw-dropping abuses and deprivations. Despite the odds stacked against him, he found love on the other side, and managed to turn his life around as a husband and father. His daughter, Brittany, vowed at a young age to become a lawyer so that she could seek justice for him. Today, that is exactly what she is doing—and Jack's case is part of a lawsuit currently before the courts.

The story has parallels with Unholy Orders by Michael Harris about the Mount Cashel orphanage, and with the many horrific stories about residential schools—all of which expose a paternalistic state causing harm and a larger society looking away. Yet two powerful qualities set this story apart. As much as it is about an abusive system preying on children, it is also a tender tale of love between Jack and his wife Glennis, who saw the good man inside a damaged person and believed in him. And it is written in a novelistic way by the great Lisa Moore, who makes vividly real every moment and character in these pages.

No One Knows about Us is a collection of short fiction about how we find connection in a disconnected world. Relationships exist under the wire, and conversations and revelations occur in secret pockets, both literally and physically. The characters conduct secret acts of vengeance, kindness, and vigilantism motivated by their hidden yearnings, grudges, losses, fears, and fixations.  

Forced to flee England, the Andrews family books passage to a fresh start in a distant country, only to discover a barren, inhospitable land at the end of their crossing. To seventeen-year-old Lavinia, uprooted from everything familiar, it seems a fate worse than the one they left behind. Driven by loneliness she begins a journal. Random Passage satisfies the craving for those details that headstones and history books can never give: the real story of our Newfoundland ancestors, of how time and chance brought them to the forbidding shores of a new found land. It is a saga of families and of individuals; of acquisitive Mary Bundle; of charming Ned Andrews, whose thievery has turned his family into exiles; of mad Ida; of Thomas Hutchings, who might be an aristocrat, a holy man, or a murderer; and of Lavinia - who wrote down the truth and lies about them all. Random Passage has been adapted into a CBC miniseries and is now a national bestseller.  

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

Shannon Webb-Campbell’s Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning, and at times heartbreaking—these poems reveal the deep
past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though Webb-Campbell is political at times, this is not politics for the sake of politics: here, it’s a matter of the human heart. Ranging from reflective to angry, from sensual to humourous, her poetry inhabits that mercurial space between the public and the private, making Still No
Word a remarkably accomplished debut collection.

Winner of the Egale Canada Human Rights Trust Out in Print Literary Award

Vigil is a collection of interconnected short stories set in the fictional, ex-urban community of Bay Mal Verde, a town that rests between the ocean and the wilderness. A beautiful but harsh environment with few employers and even fewer social resources, residents of Bay Mal Verde must make difficult choices to survive, and these decisions set the characters swinging between self-serving greed and selfless bravery. In Bay Mal Verde, every action has a ripple effect that spreads through the community, making everyone complicit in the lives and deaths of their neighbours.